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Are You Good Enough to Write a Book?

By Deb

GOOD ENOUGH

In the past, when I heard the phrase, “That’s good enough,” I was really both­ered. It seemed to me that say­ing this was set­tling for less than the best. When I’ve run out of time on a project, I’ve had to resort to that, resign­ing myself to the fact that I couldn’t get all the details right in time.

Leav­ing loose ends both­ers me. Know­ing I didn’t get every­thing just quite right both­ers me.

Yet, I now see this dis­sat­is­fac­tion for what it is. Per­fec­tion­ism. And I’ve recently dis­cov­ered that there is a uni­verse of dif­fer­ence between try­ing to make things per­fect and striv­ing for excel­lence. One is healthy. The other is not.

Per­fec­tion is an illu­sion. Even in nature per­fec­tion does not exist. And yet we mar­vel at the beauty we see there. We don’t say to the but­ter­fly, your right wing is 2 mm longer than the left. We look at the whole wing, the whole but­ter­fly and appre­ci­ate it.

Dr. Brené Brown, researcher and author extra­or­di­naire, has traced the roots of per­fec­tion­ism to a sense of unwor­thi­ness. Our unspo­ken belief is that if we can just do things per­fectly, then we will earn our way to being wor­thy of people’s love and accep­tance. But since per­fec­tion is impos­si­ble to achieve, then love and accep­tance based on our achiev­ing per­fec­tion is also impos­si­ble. Do you see how this feeds into a cycle? If you haven’t heard about any of Dr. Brown’s TED talks on YouTube or seen her on Oprah’s Super Soul Sun­day morn­ing show, at the very least watch this one: Brené Brown TEDx Hous­ton.

I want to be wor­thy of love and accep­tance, so I need to be a per­fect mother. A per­fect daugh­ter. A per­fect teacher. A per­fect wife. A perfect…whatever.”

I want to be wor­thy of love and accep­tance, so I need to be thin and beau­ti­ful, like the super mod­els. Like the women on bill­boards, in mag­a­zines, in Hollywood.

In order to be accepted by a pub­lish­ing com­pany, I have to write a per­fect book.”

And what do they tell all aspir­ing writ­ers? You will be rejected. Accept it and move on. But what this means is, going into the game we’re set up for fail­ure, for rejec­tion, for unwor­thi­ness unless we can find our way to believ­ing that we are worthy.

So here’s what I’ve learned:

That being good enough, just as I am, is not set­tling for some­thing less than my best.

That who and what I am IS enough. No con­cealer, no air­brush makeup, no fancy hair blow­ing in the breeze or art­fully arranged behind my head on a bed pillow.

That if I, myself, don’t think I’m enough, no one else will. But if I do think I’m enough, oth­ers will, too.

To help writ­ers along with our emo­tional strug­gle, my friend Kris­ten Eck­stein, the Ulti­mate Book Coach, cre­ated this info­graphic. It’s actu­ally going to be made into book­marks for her clients and for giv­ing out to audi­ences where she speaks. But she’s given me per­mis­sion to share this with you. Post it on your own blog, then link back to it from Twit­ter and Face­book. But if you share it, you must include her URL at the bot­tom. That’s all the thanks she needs.

Know this: You. Are. Enough.

 

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Psychology of Writing–Using Emotions to Get to Where You Want to Be

By Deb

In other posts I’ve writ­ten about the late Jim Rohn, incom­pa­ra­ble moti­va­tional speaker and thought leader,  and the impact he had on my life, even though I dis­cov­ered Con­tinue read­ing this post »

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NaNoWriMo — Join 1000s of Would-be Novelists Around the Globe

By Deb

National Novel Writ­ing Month, aka NaNoW­riMo, begins Novem­ber 1st each year.

(If you’re read­ing this after Novem­ber 30, never fear. You can par­tic­i­pate
dur­ing the sum­mer. See Camp NaNoW­riMo below.)

The idea is to write 50,000 words dur­ing the month of Novem­ber, post­ing your progress on the web­site, and receiv­ing encour­age­ment from oth­ers, includ­ing estab­lished authors who pro­vide their own unique spin on this busi­ness we call writing.

At NaNoW­riMo you can: Con­tinue read­ing this post »

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Story Ideas — Where 10 Published Authors Got Their Inspiration — You Can, Too

By Deb

If you’re strug­gling to come up with a story idea, you might want to get busy doing some­thing else. Ten authors were in the midst of, basi­cally, LIFE when inspi­ra­tion hit.

L. Frank Baum was telling a story to his sons when the land of Oz cap­tured his imag­i­na­tion. From there he mapped out the Yel­low Brick Road, brick-by-brick.

As Tol­stoy rested after din­ner (I won­der who was doing the dishes while he was loung­ing on the sofa?), he envi­sioned an elbow. Then the rest of per­son attached to it became a woman in a ball­gown who haunted him until he could stand it no longer and had to write Anna Karenina’s story.

Wash­ing­ton Irv­ing was in the throes of writer’s block when his cousin’s sto­ries of their youth­ful Hud­son High­lands exploits super-charged his cre­ativ­ity. Rip Van Win­kle was the result the fol­low­ing morning.

Gabriel Gar­cía Mar­quéz was dri­ving to Aca­pulco on a fam­ily vaca­tion when the open­ing line from what became One Hun­dred Years of Soli­tude caused him to do a U-turn, aban­don the vaca­tion and head home to write his novel. I can’t imag­ine his fam­ily was too happy with him.

At 16, C.S. Lewis  day­dreamed Mr. Tum­nus with his arms full of parcels, decades before the faun even had a name or a world to live in. It was 24 years later, actu­ally, before Lewis finally cre­ated and pop­u­lated Aslan’s realm, and intro­duced the Peven­sies to the world of  War Drobe in Spare Oom.

E.B. White was walk­ing through an orchard, head­ing for a pig­pen when he fig­ured out who was the most unlikely hero to save a pig from slaugh­ter. The intri­cate cob­web which inspired him turned out to be one he came across in his own house. I won­der if his spi­der spelled out words in her design, too?

Robert Louis Steven­son was paint­ing while being bored on vaca­tion in Scot­land. Sud­denly the crew of a pirate ship appeared, hunt­ing for trea­sure and pil­lag­ing their way across the can­vas. For him, it was sim­ply a mat­ter of exchang­ing the paint­brush for a quill to put the bloody pirates’ exploits into words.

Pro­fes­sor J.R.R. Tolkien was grad­ing a stack of exam papers until a blank page pre­sented itself mid-stack. This ran­dom thought popped into his head: “In a hole in the ground there lived a hob­bit.” From there, he had to answer two ques­tions: “What is a hob­bit?” and “Why does he live under­ground.” From that serendip­i­tous begin­ning, he even­tu­ally invented the Elven lan­guage and pop­u­lated Mid­dle Earth with a col­or­ful and mem­o­rable cast of char­ac­ters and races.

George Orwell was people-watching when a young boy maneu­vered a large horse on a nar­row path. In his mind, “What if?” kicked in, and he won­dered what would hap­pen if ani­mals sud­denly real­ized their true strength. From there he con­ceived of a world where ani­mals ruled and were no less ruth­less and exploita­tive than humans.

Finally, Jules Verne was read­ing a news­pa­per in Paris when an ad ignited his imag­i­na­tion.  The travel agency was try­ing to entice ordi­nary peo­ple — as ordi­nary as any­one can be who could afford it — to set off on an adven­ture around the world in 80 days. One won­ders about the actual itin­er­ary from the travel agency.

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Novel Writing: A Light-Hearted Look

By Deb

Novel writ­ing. It’s chal­leng­ing, fraught with pit­falls and not for the faint of heart. Laugh­ter is some­times the best way to cope with such challenges. Here’s a video that pokes fun at novel writ­ing and naive aspir­ing writ­ers.  I gig­gled, laughed out loud and rolled my eyes in recognition.

 

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